Origin of the “blues”
The blues of Mali
Certainly the origin of the blues as we know it today.
It also plays well as binary or ternary measures 2, 3 or 4 beats.
The blues is based on pentatonic scale.
The particularity of this music is that it is tonal, e.g. there is usually no chord or a single chord, neither major nor minor, consisting of tonic octaves and fifths notes.
This is certainly due to the fact that the balafon, the ancestor of the piano is tuned to accompany the traditional songs that are based on tonal music.
Do not forget that the root of African music is the song first, then the tam tam or djembe drum or a hollowed out tree trunk on which a dried animal skin tends and, according to its diameter, a much greater power than the human voice.
It is assumed that the melodies of every first songs were inspired by the different heights of djembes, then other instruments such as the kora and balafon, were created.
See also about the origin of the Delta Blues http://www.beatricechauvin.com/textes_en.html
Listen to the Guitar way used by Ali Farka Toure
The accompaniment plays fingers and each note is doubled an octave higher. The thumb plays the bass and other finger double bass note one octave higher. This is what gives the impression of listening to an acoustic 12-strings guitar! Ali often played on a Jazz Chorus amp which gave him a recognizable sound of a thousand!
Rest in peace (sample extract from Niafunke)
Bb Capo in F. Playing the solo again?
3 Scales to play the blues of Mali
The tone is C strikingly similar to the scale of blues!
Ali Farka Toure alternated this scale with the scale of blues (listen to the album Niafunké : First song.)
To play solo on Rest in Peace: shift the position of the range of two frets up to the top.
The tone is A
The tone is G
Note: The change of position from the note N°9
There are many scales and ways to play this music